Antony Pay has also been a member of several chamber ensembles, including the Nash Ensemble, the Tuckwell Wind Quintet, the Academy of St. Martin-in-the-Fields Chamber Ensemble, and Hausmusik. With the London Sinfonietta he collaborated with many of today’s leading composers, including Boulez, Stockhausen, Birtwistle, Henze, Maxwell Davies, Goehr and Berio.
He has recorded Berio’s Concertino, with the composer conducting, for RCA, and gave the first performance of Henze’s mini-concerto Miracle of the Rose, which was written for him to direct from the clarinet. He was also Professor of Clarinet at the Guildhall School of Music and Drama from 1982 to 1990 and taught at the Royal Academy of Music, where he continues to give occasional masterclasses.
Recently he has concentrated on solo playing and conducting, recording the Spohr and Mozart Concertos for Decca, the Weber and Crusell Concertos for Virgin Classics and Birtwistle’s Melencolia I for NMC. He has conducted the Academy of St. Martin-in-the-Fields in Germany, Austria and Holland, and the London Sinfonietta throughout Europe, as well as guest-conducting with orchestras in Scandinavia, Italy and the United States. Antony Pay also performs on period clarinets, and his recordings of the Mozart, Weber and Crusell Concertos are played on specially reconstructed instruments. He currently plays in The Academy of Ancient Music and the Orchestra of the Age of Enlightenment, with both of which he is a frequent soloist.
His recording of the Mozart concerto with The AAM and Christopher Hogwood is available on Decca (414 339-2). He has written for the journal Early Music, and contributed a chapter to the Cambridge Companion to the Clarinet. He is working on a book concerned mainly with the use of metaphor in teaching and learning to play the clarinet.