Frank Lopardo's current season begins with the tenor's return to the Cleveland Orchestra for Beethoven's Symphony No. 9 and to the San Francisco Symphony for his debut in Rachmaninov's The Bells. Later in the season Mr. Lopardo returned to Nemorino in Donizetti's L'Elisir d'Amore for the Lyric Opera of Chicago. Future engagements include returns to the Lyric Opera of Chicago as Riccardo in Un ballo in maschera.
Frank Lopardo's 2008/2009 season included returns to the Lyric Opera of Chicago as Pinkerton in Madama Butterfly and to the Pittsburgh Opera as Rodolfo in La Bohème. In the summer he sang the Tenor solo in Beethoven's Symphony No. 9 at the Grand Teton Music Festival with Donald Runnicles conducting.
In 2007/2008 Frank Lopardo made an exciting role debut: Pinkerton in Puccini's Madama Butterfly with the Pittsburgh Opera. Mr. Lopardo followed this with his celebrated Lenski in Tchaikovsky's Eugene Onegin with the Lyric Opera of Chicago. Finally, Mr. Lopardo returned to Cincinnati for performances of Madama Butterfly.
In the autumn of 2006 Frank Lopardo returned to London for La Bohème at the Royal Opera House, Covent Garden and for Opera Rara's concert and recording of Donizetti's rarely performed Imelda di Lambertazzi. He also appeared with Opera Colorado as Gustavo in Verdi's Un Ballo in Maschera. In concert, he joined the Pittsburgh Symphony for Beethoven's 9th Symphony with Sir Andrew Davis, and his recent recording of this piece with the Cleveland Orchestra and Franz Welser-Möst was commercially released by Deutsche Grammophon.
Frank Lopardo began his 2005/2006 season with performances of the Duke with the Pittsburgh Opera. He then sang Rodolfo in La Bohème at the Metropolitan Opera before singing further performances of the Duke with the Lyric Opera of Chicago. He was soloist in the Verdi Requiem with the Atlanta Symphony both in Atlanta and Carnegie Hall. He concluded his season with more performances of the Verdi Requiem both with the San Francisco Symphony and at the Ravinia Festival.
Mr. Lopardo's 2004-2005 season included performances of the Duke of Mantua with both Seattle Opera and Cincinnati Opera. He sang Rodolfo at the Metropolitan Opera where he also took on a new role Mozart's Tito in a revival of La Clemenza di Tito conducted by James Levine. In spring 2005 he appeared as soloist in the Verdi Requiem with the Minnesota Orchestra.
Since his debut with the Opera Theatre of St. Louis as Tamino in The Magic Flute, Frank Lopardo has appeared regularly with America's leading opera houses. At the Metropolitan Opera he has sang Rodolfo, Alfredo, the Duke, Edgardo, Tamino, Tonio in La Fille du Regiment, Almaviva in Il Barbiere di Siviglia, Nemorino in L'Elisir d'Amore, Don Ottavio in Don Giovanni, Idreno in Semiramide, Ferrando in Cosi fan tutte and Fenton in Falstaff. Audiences in Chicago have heard him sing Alfredo, Rodolfo, Tamino, Nemorino and also Elvino in La Sonnambula. In San Francisco he has performed the Duke, Tonio, Rodolfo, Don Ottavio and Lindoro in L'italiana in Algeri. In 2001 he made a spectacular Santa Fe Opera debut as Edgardo ("he spins out the vocal line from gentleness to strength in some of the best singing I've heard in a long time, a sound that I simply didn't want to stop" - the New York Times). In Los Angeles Opera he has sung Edgardo and the Duke. His first performances of Riccardo in Un Ballo in Maschera were with Pittsburgh Opera.
Mr. Lopardo's career in Europe has been no less impressive. He has performed Edgardo, Rodolfo, the Duke and Lensky in Eugene Onegin at the Paris Opera, both Alfredo and Lindoro with the Royal Opera House, Covent Garden. With the Vienna State Opera he has performed Alfredo, Lindoro, the Duke and Libenskof in Il Viaggio a Reims, and he has starred as Alfredo and Don Ottavio at the Salzburg Festival. His debut with the Grand Theatre de Genève was as Ernesto in Don Pasquale. Mr. Lopardo has also been featured in roles of his repertoire at the Glyndebourne Festival, Teatro alla Scala, the Netherlands Opera, Teatro San Carlo Naples, Teatro Real Madrid, Teatro Comunale Florence and the Aix-en-Provence Festival.
On the concert platform, Mr. Lopardo has performed the Verdi Requiem with London Symphony Orchestra, The Cincinnati May Festival and the Montreal Symphony Orchestra; the Mozart Requiem with the Berlin Philharmonic at la Scala; Berlioz' Requiem and Carmina Burana with the Boston Symphony Orchestra both in Boston and at the Tanglewood Festival; Beethoven's Symphony No. 9 with the Boston Symphony Orchestra, San Francisco Symphony and with the Cleveland Orchestra at the Blossom Festival; Rossini's Stabat Mater with the Philadelphia Orchestra; Carmina Burana with the Berlin Philharmonic; and Mendelssohn's Lobsesang Symphony with the Orchestra of St. Luke's. He has sung the Dvorak Requiem with the Danish Radio Orchestra.
Frank Lopardo is soloist on the Telarc recording of the Berlioz Requiem with the Atlanta Symphony Orchestra that won the 2004 Grammy for Best Choral Recording. His extensive discography also includes Mozart's Requiem and Don Giovanni with Maestro Riccardo Muti for EMI, Rossini's Il Barbiere di Siviglia and L'italiana in Algeri with Abbado for Deutsche Grammophon, Verdi's Falstaff with Sir Colin Davis for BMG, Rossini's Semiramide and Il Signor Bruschino for Deutsche Grammophon and Donizetti's Don Pasquale with Roberto Abbado for BMG. He has also recorded Orff's Carmina Burana with André Previn for Deutsche Grammophon and can be seen on this label's video of the Mozart C Minor Mass with Leonard Bernstein. Mr. Lopardo appears on the Deutsche Grammophon video of Falstaff conducted by James Levine. He can also be seen and heard (on both CD and video) as Alfredo in La Traviata and Ferrando in Cosi fan tutte with Solti on Decca.
Frank Lopardo was born in New York and studied with Dr. Robert White, Jr. who remains his vocal mentor today.